Live version, recording at the Paso Temple. Not being in favor of having such an echo in a recording, makes sense. However, I have decided to carry out this record by taking all the sound mass and leaving the note by note (so precious to so many musicians) and which is so often sought after. I think that speaking of precision in the case of interpretations of romantic repertoire is a complex task. Here’s a sample of what works and what doesn’t (make your own judgement).